Free PDF , by Martin Amis

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, by Martin Amis

Free PDF , by Martin Amis

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Product details

File Size: 4020 KB

Print Length: 531 pages

Publisher: Vintage (September 17, 2014)

Publication Date: September 17, 2014

Language: English

ASIN: B00M60S3KQ

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Amazon Best Sellers Rank:

#426,711 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Oh, to have Martin Amis' huge intellect and magnificent wit. I first discovered MA in '84 with "Money" and read every novel thereafter except, amazingly, "The Rachel Papers". Just a few months ago I seethed my way through "Koba the Dread", his astonishing short-but-concise history of Stalin. I've read "The Black Book of Communism", Koestler's "Darkness at Noon", Dostoevsky, Solzhenitsyn - all harrowing, horrifying, even belief-defying. But Amis' Koba is somehow more "processable", if that's even a word. He is able to distill the mountains of (ignored or quashed) evidence chronicled in detail by Robert Conquest and others into something duller-witted creatures like me can digest.He does the same in this brilliant collection of criticism. You won't agree with every essay (or many, depending upon your snowflake quotient), but every single one is crackling with pyrotechnic word wizardry you'd be hard-pressed to find anywhere else (his late friend, Christopher Hitchens, was his only peer, I think).My hope is that he'll revisit some of these essays and produce a follow-up. Surely his opinions have changed given how much information delivery systems have changed, thanks to the internet. Anyway, I loved the book and will re-read sections often. I can't say that about "Koba the Dread". It still infuriates me. And now it's infuriating my husband, children, and friends, and, if you're curious, honest and smart, you.

This is an entertaining and insightful collection of literary reviews by Martin Amis, which were published in a range of periodicals from 1971 until 2000. I found them to be beautifully written but too short. Fortunately there are several longer essays at the end of the book where Amis is able to fully explore several great classics in literature with insights that seem new and raw. Amis' insights are often fresh and unique and his vocabulary is expansive, requiring me to use the dictionary at least once for each essay. His wit is sharp and I found myself laughing out loud often.Martin Amis is very transparent in his regard for Nabokov and his analysis of Lolita, the final essay in the book, is very insightful in regard to the construction of a novel. The title of the book, The War Against Cliché, becomes most evident in his reviews of James Joyce's Ulysses and Jane Austin's Pride and Prejudice. It was no accident that these two essays were placed side by side. Martin Amis' meaning here is that the writer must challenge stereotypical thinking and inherited societal prejudices and trends.His reviews peaked my interests in western writer Elmore Leonard. There are several essays on the works of John Updike and V.S. Naipaul, where Amis surgically separates the flaws from the perfection in these two outstanding writers. His analysis of the works of Iris Murdoch reveals many concerns yet he doesn't strike to the heart of the matter as he does with Updike and Naipaul. I found that Amis' concern with style, structure, syntax, was very informative yet I wished for more in-depth penetration of the works he reviews. I longed for a autopsy where all the organs were exposed and yet only in the final essay on Lolita did I feel he reached this level of analysis. Of course, with word limitations in periodicals, such a goal would be more akin to a dissertation than an essay, but much of the work was too quickly conveyed with his brilliant summative style.

This collection of Martin Amis critical essays and reviews of the writing styles of some of the world's most famous writers is informative and entertaining. Critics love to criticize and Amis relishes in puncturing the hot air balloons of the more famous. Of course he has his favorites as well as his non- favorites, but even when reviewing the latter, he gives credit where he thinks it's merited. What's remarkable to me, though,is the detailed nature of many of his reviews and the precision of his comments. How does he find time to do this?

Literary and popular cultures are examined in this book of essays -written between 1971 and 2000. Authors of acknowledged masterpieces (Cervantes, Jane Austen, Coleridge, Updike, Dickens, Saul Bellow, etc.), popular authors (Michael Crichton, Tom Wolfe...), politicians, chess and sports are forced to cohabit in this collection. Like many young intellectuals, Amis as a young critic is more in love with his own cleverness than with the author or celebrity he examines. As he gets older, he is more temperate, more interested in the work itself, and more interesting as a result. His wit and bite are often present. Part One of the collection is titled "On Masculinity and Related Questions," and yet includes Hillary Clinton, Margaret Thatcher and Andy Warhol. He questions the validity of masterpieces classification. One striking example is James Joyce's Ulysses. The question that arises after reading Amis' essay on the subject is: Should a piece that is obscure and oblivious of readership qualify as a great book because of its relative un-readability? Amis responds and closes the essay with these biting sentences: "Joyce could have been the most popular boy in the school, the cleverest, the kindest. He ended up with a more ambiguous distinction. He became the teacher's pet." Amis is much more indulgent with Nabokov -obviously his own literary pet. There is no doubt he is a good, witty writer. And a talented critic who knows what he likes and what he doesn't. I hadn't read this British author before, but because of the title of the book, I expected to see more diversity. More women, more Black, Asian, Latin and other world authors. Amis does have a section called "Ultramundane" that alludes to some of these. But I would have wished for more. The great majority of the culture he examines is male and white Anglo-American. And because of that, The War Against Cliche might be too big of a title.

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