Ebook Free , by Peggy Guggenheim

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, by Peggy Guggenheim

Ebook Free , by Peggy Guggenheim

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Product details

File Size: 3096 KB

Print Length: 192 pages

Publisher: Ecco; Updated ed. edition (April 16, 2013)

Publication Date: April 16, 2013

Sold by: HarperCollins Publishers

Language: English

ASIN: B00BKZGPL2

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Amazon Best Sellers Rank:

#55,642 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Shortened and censored book of the true autobiography of Peggy Guggenheim titled "Out of this Century : Confessions of an Art Addict" at the moment - 30 august 2013 - not available to Kindle readers.The very similar title is misleading and I suggest not to read it.While the full autobiography "Out of this Century: Confessions of an Art Addict" is really enjoyable, full of wit and very open about her private life so strongly interwoven with her activity of collector, this shortened version looks like a flat puritan resumè.

This is the condensed version of the Peggy Guggenheim autobiography Out of this Century and leaves out everything connected with Max Ernst (that is a lot). I recommend reading the long version instead.

Who was Peggy Guggenheim? Personally, all I had until this read was a vague understanding that as a Guggenheim heir she contributed a lot to the art world. Pretty vague, no? Well, that's a lot more than many contemporary artists will come up with. In fact I mentioned this book to quite a successful modern artist and his response was, "She was pretty crazy, right?"Crazy, not when you read her writing, she wasn't. She had an amazingly open mind about what art is and what it ought to be. Amazing especially because her family, wealthy though it was, hadn't really given her much of an education in it. So I think what we have here is the liberating effect that vast wealth can inspire.I was taken with a kind of simplicity she exudes in her writing. Like a child, she delights in all manner of little things, while simultaneously entertaining the most sophisticated people in the world.She talks about marriages and relationships but never gets too detailed about it. I know her artist daughter Pegeen came to a bad end but as an example, she mentions nothing about her except to say that she collected her work. So, while the book is the interesting there is clearly a lot missing.

Some years ago, the Jewish Museum (NYC) had a most interesting exhibition on Jewish Women and their Salons, focusing on a limited number of women who made a difference in the art of their times by creating settings within which artists could meet with other artists and with patrons. In the fine book accompanying the exhibition (Jewish Women and their Salons:The Power of Conversation....by Emily D. Bilski and Emily Braun), they explain the absence of Peggy Guggenheim, among other very important women helping artists to become recognized-"We also distinguished those who held salons with regular hours and a circle of habitues, from occasional if important hostesses(such as Peggy Guggenheim)". In other words, being a small museum, half of whose viewing space is consumed by a permanent exhibition of whirlwind tour of Jewish art over the millenia, they had no room for more than five and they found a reason to exclude her and other outstanding Jewish women (eg, the Cone sisters of Baltimore) who provided financial and social support to artists often desperately in need of it. One understands the inexorable limitations, but also recognize that P. Guggenheim is right up there in creating a demand among collectors for modern art.I did not know, until reading through some of the reviews here that there was an earlier edition than the kindle one which revealed more of the "dirt", that is, more details of here sexual encounters over the years. There are a number of good biographies which will satisfy that yearning, but this one has the value of being the story the subject of those books decided to tell in her own way. No doubt it has been subjected to professional editing, but, nonetheless, its text shows every sign of being not unlike what she might write to someone not an intimate friend who wanted to know something about her life. Frankly, further details as to just who she 'slept' with and what they did together, are not missed by this reader As Ben Franklin is said to have said..............................Actually sufficient information is conveyed to give a glimpse of what it was like to be the daughter of the Guggenheim who didn't become mega-wealthy, although quite well off compared to 'ordinary folk'. She suggests the number and range of her associations, and also, what she tried to do for the artists to whom, rather early in life, she decided to dedicate her personal and financial efforts to trying to create situations which would allow those she patronized to become better known and more likely to be able to survive as artists. While she had many significant friends and associates, no doubt her NYC gallery, the marriage to Max Ernst, permitting him to escape Hitler by coming to America as husband of a citizen, her collection in Venice and her major financial and social support of Jackson Pollock, will rank most highly in art histories of the period.Rather than finding the prose style primitive, I found it simple and to the point. Obviously, it reflects what she and/or her publisher wanted to put down on paper. It is easy and enlightening reading. Hopefully, the average reader will want to know more and will turn to biographical sources for greater detail and more objective viewpoints. These will not supersede the value of the book

DO NOT PURCHASE the Kindle edition if you are looking for the complete version of Peggy Guggenheim's memoir. The Kindle edition is choppily edited and heavily censored, omitting the scandalous recollections for which her memoir is known. Additionally, the photographs included therein are miniscule and plopped in without context.

I enjoyed this Peggy Guggenheim memoir. Although brief, it condenses her collection into too few pages. She also foretells of the greed of collectors who buy bc the work is expensive. Her position as a “patron” of artists and their work is refreshing in light of today’s market. I didn’t realize it was her uncle’s collection that is the basis for the Guggenheim Museum in NYC, designed by Frank Lloyd Wright who designed it but died before its opening. She is an incredibly intriguing woman; I’ll look for a biography to learn more...

I have followed the Guggenheim art museums and especially like the New York gallery designed by Frank Lloyd Wright. It does seem strange however to walk up curved ramps to each level, and viewing is difficult. However,Peggy started the modern movement and is admired for her tenacity in the face of financial hardship at times. I agree that art today is for collectors and many of the new artists are not interesting.

I bought this book because it was cheap and because we were just about to visit the Guggenheim Bilbao. It was a great surprise. Very easy to read and packed with interesting art gossip of the time, Peggy really makes it work and brings to life many of the artists of her time. The palazzo in Venice that holds her collection, is not small at all as opposed to what she says in the book, but we knew that.

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